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The new BERLIN art FESTIVAL is a new media 3-D internet & free online Avatar based art platform<br> for international, mixed reality and contemporary art using virtual worlds and modern technologyUnknownnoreply@blogger.comBlogger13125tag:blogger.com,1999:blog-7294231851881010281.post-47039412161649017792011-10-05T12:33:00.001-07:002012-10-20T10:15:00.096-07:00new BERLIN art Festival 2012newBERLIN art Festivall 2012 now also takes place in the facebook based virtual world Cloud Party:
Visit the updated project <a href="http://kunsthaus-tacheles.berlinin3d.com/" target="_blank">Tacheles in 3D</a> or <a href="https://its.cloudpartytime.com/#8.1,-28.7,-43,-1.8_2267" target="_blank">login directly</a> in the virtual online art gallery based on HTML5 and webGL.<br />
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Of course there are also regular art events in <a href="http://www.berlinin3d.com/" target="_blank">newBERLIN (BERLIN in 3D) </a>and its virtual city models in Second Life and Open Sim.<br />
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Please contact us if you want to participate in the virtual and interactive art exhibithion 2012.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-7294231851881010281.post-59288363320653938302009-12-10T09:15:00.000-08:002009-12-10T09:26:06.378-08:00WORLDWIDE Real and Virtual art Event 2010Let´s syncronize a Worldwide event, taking place at several real exhibithion Spaces, and connect them all with Second Life in August or September in 2010<br />
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If you want to Participate contact "January Lightfoot" in Second Life.<br />
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If you want to be Informed about the Process, just leave Mail/Avatar Name here: <br />
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<iframe src="http://spreadsheets.google.com/embeddedform?key=tlN_sIleAS-J0nwEIM_FWXg" width="350" height="435" frameborder="0" marginheight="0" marginwidth="0">Loading...</iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-7294231851881010281.post-91486890899205078062009-11-19T10:05:00.000-08:002009-11-23T05:33:27.322-08:00ARTIST LIST new BERLIN art FESTIVAL 2009<iframe height="450px" name="ARTIST LIST" src="http://docs.google.com/View?id=dgbxz9tm_55dppzzjgg" width="100%"><p><br /><br />
<p>Joseph Beuys 2.0 chat <a href="http://docs.google.com/View?id=dgbxz9tm_55dppzzjgg">Joseph BeuYs 2.0 BRAIN CHAT</a></p></p></iframe>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-7294231851881010281.post-23558585739356897482009-08-10T13:11:00.000-07:002009-12-10T09:40:28.916-08:00REGISTER NOW!<span style="font-family: arial; white-space: pre;"></span><b>newBERLIN art Festival REGISTRATION OPEN!</b><br />
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You want to take part at the 2nd newBERLIN art Festival?!<br />
around September/Octoberin 2010 in SL.<br />
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Every artist can take part of the public exhibithion in newBERLIN.<br />
Selected works will be seen in Indoor Locations...<br />
<div>Make sure to FIRST pick a LOCATION in newBERLIN, WHERE you want to put your art piece!<br />
Visit: <a href="http://slurl.com/secondlife/New%20Berlin/193/184/31">http://slurl.com/secondlife/New%20Berlin/193/184/31</a><br />
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<iframe frameborder="0" height="1019" marginheight="0" marginwidth="0" src="http://spreadsheets.google.com/embeddedform?key=ty5W0D3FA7Z_7cKNYC9tKGw" width="400"><p>&lt;p&gt;&amp;amp;amp;lt;p&amp;amp;amp;gt;&amp;amp;amp;lt;p&amp;amp;amp;gt;&amp;amp;amp;lt;p&amp;amp;amp;gt;&amp;amp;amp;lt;p&amp;amp;amp;gt;Laden...&amp;amp;amp;lt;/p&amp;amp;amp;gt;&amp;amp;amp;lt;/p&amp;amp;amp;gt;&amp;amp;amp;lt;/p&amp;amp;amp;gt;&amp;amp;amp;lt;/p&amp;amp;amp;gt;&lt;/p&gt;</p></iframe><br />
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Mixed Impressions on 2009:<br />
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<b>How it worked in 2009:</b><br />
</div>RULES:<br />
1. Leave room for the "newBERLIN Builder" group to create objects (REZ) in newBERLIN.<br />
You will get a group invite from "Maike Hoorenbeek"<br />
2. DO NOT FORGET TO SET ALL YOUR STUFF TO THE GROUP, so we can move them if we need to.<br />
Non group Objects will be returned without Warning!<br />
3. Take Pictures of your installed art piece and upload them to Flickr, and do use this TAG:<br />
"new BERLIN art FESTIVAL 2009" and PLEASE put http://www.newberlinartfestival.com/ into the discription!.<br />
If you do so we can show your pictures as a slideshow in the RL exhibithion space.<br />
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<span style="font-family: 'Trebuchet MS'; font-size: 13px; line-height: 18px;"></span><br />
<div><b>Members so far:</b><br />
<span style="font-family: arial, sans, sans-serif; font-size: 13px; white-space: pre-wrap;">Daggett Beerbaum</span><br />
Step5 Iceberg<br />
</div><div>.0 (artist group)<br />
</div><div>January Lightfoot<br />
LunAr Bailey<br />
Lena Docherty<br />
Atze Huyen<br />
</div><div>Tom Lowe<br />
</div><div>Ikaros Kappler<br />
</div><div><a href="http://www.beuys2.com/">Joseph Beuys 2.0 ( #BeuYs2 )</a><br />
</div><div></div><div></div><div><span id="SPELLING_ERROR_16">The</span> <span id="SPELLING_ERROR_17">newBERLIN</span> <span id="SPELLING_ERROR_18">art</span> <span id="SPELLING_ERROR_19">festival </span>will <span id="SPELLING_ERROR_23">be</span> p<span id="SPELLING_ERROR_24">roduced</span> <span id="SPELLING_ERROR_25">by</span> .0.<br />
</div><div></div><div><span id="SPELLING_ERROR_26">DATE</span>:<br />
21 November 2009<br />
<span id="SPELLING_ERROR_27">until</span><br />
17 <span id="SPELLING_ERROR_28">January</span> 2010<br />
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<span id="SPELLING_ERROR_29">TOPIC</span>:<br />
"Die Welt als Bühne"<br />
<br />
<div><div>ART:<br />
</div><div><div><div><span id="SPELLING_ERROR_35">Second</span> <span id="SPELLING_ERROR_36">Life</span> <span id="SPELLING_ERROR_37">Artists</span> <span id="SPELLING_ERROR_38">are</span> <span id="SPELLING_ERROR_39">invited</span> <span id="SPELLING_ERROR_40">to</span> <span id="SPELLING_ERROR_41">Participate</span> <span id="SPELLING_ERROR_42">with</span> <span id="SPELLING_ERROR_43">SL</span> ART <span id="SPELLING_ERROR_44">and</span> <span id="SPELLING_ERROR_45">SL</span><span id="SPELLING_ERROR_46">performances.</span><br />
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<span id="SPELLING_ERROR_49">SPECIALS</span>:<br />
<span id="SPELLING_ERROR_50">POLITICAL</span> <span id="SPELLING_ERROR_51">art</span> <span id="SPELLING_ERROR_52">SKY</span>-SAND-BOX<br />
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<span id="SPELLING_ERROR_53">virtual PLACE</span>:<br />
<a href="http://slurl.com/secondlife/New%20Berlin/183/173/31" style="color: #bb3300;"><span id="SPELLING_ERROR_54">newBERLIN</span></a> (<a href="http://www.berlinin3d.com/" style="color: #cc6633;">www.BERLINin3D.com)</a><br />
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physical <span id="SPELLING_ERROR_56">PLACE</span>:<br />
</div><div><a href="http://www.nbk.org/">http://www.nbk.org</a><br />
</div><div><div><span style="font-family: Verdana;"><br />
</span><br />
</div><div><span style="font-family: Verdana;">Welt als Bühne</span><br />
</div><div><span style="font-family: Verdana;">21. November 2009 – 17. Januar 2010<br />
Eröffnung: Freitag, 20. November, 19 Uhr</span><br />
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</div></div></div></div></div></div>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-7294231851881010281.post-22889313080357897642009-08-01T08:50:00.000-07:002009-10-13T14:51:38.225-07:00NBK visitor Avatar sketch<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ-7nYAf07_vfe1BPISFw9l793BE5h4IooBvRn6rSBT3xLvDpJQg9x5AsTIHxBPMDKb2cPakSpQSaZbwNYV4tluBMBz_TSExk8_56b5q54X4qAiFYeTEVVAEHuTtw7R7dq11wn1GvIZ_Ul/s1600-h/nbk_test_001.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ-7nYAf07_vfe1BPISFw9l793BE5h4IooBvRn6rSBT3xLvDpJQg9x5AsTIHxBPMDKb2cPakSpQSaZbwNYV4tluBMBz_TSExk8_56b5q54X4qAiFYeTEVVAEHuTtw7R7dq11wn1GvIZ_Ul/s320/nbk_test_001.png" /></a><br />
</div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: left;">NBK visitor Avatar sketch<br />
</div>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-7294231851881010281.post-63080194674648175442009-07-22T16:46:00.000-07:002018-05-16T09:47:03.924-07:00<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.renderosity.com/mod/gallery/browse.php?username=lintux&page=1" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br />lintux</a></div>
Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-7294231851881010281.post-11329889938019682992009-07-20T15:46:00.000-07:002009-07-20T15:57:47.719-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXVYb-selFvCcMvZG9_nOiyAuJE0InDEpCSqhyphenhyphenpOFZ25V_j-IXchXKR86HlyTi3UFaNbRLyrWg3-O8K17Ana5wlSLkt8jh-tEV0jX7KZ6O4rD-LM2PMx70yNAsXFtmiiZ6rXn2RTvcO14G/s1600-h/matrix.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXVYb-selFvCcMvZG9_nOiyAuJE0InDEpCSqhyphenhyphenpOFZ25V_j-IXchXKR86HlyTi3UFaNbRLyrWg3-O8K17Ana5wlSLkt8jh-tEV0jX7KZ6O4rD-LM2PMx70yNAsXFtmiiZ6rXn2RTvcO14G/s400/matrix.png" alt="" id="BLOGGER_PHOTO_ID_5360680339528161122" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgs_GPxGmx-5n8bJxhIVwIQKaMO9XRVkZKtDYwN2vUiiYqwXOt1LXN73PObyTTM8wyKj8SsT6EyQ9BWLHcrq0snvK2iV4MC2JswznNk2bb7XbkH7esbbW00A9nrhFPzw9Q4PlCJI8XFO_a/s1600-h/matrix+bild.jpg.BMP"><br /></a>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-7294231851881010281.post-91377769115624102452009-07-11T11:59:00.000-07:002009-07-17T12:05:21.428-07:00MODULE ARCHITECTURE beuYs 2.0<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj90XuPJlqyHoayuLpHimEEozNtKjiUqrIg3fNy_Q-Z374kk04p2RNYfwnuYKKHeG8yjtbqAAVIr_hqMSIsXNIS05CBHToMhOzGvT_lD-L2Tpr2nRgV35kJh_2kXlpqz7bexfsPF40AtNkz/s1600-h/beuys_bot_dataV_modules_001.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 252px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj90XuPJlqyHoayuLpHimEEozNtKjiUqrIg3fNy_Q-Z374kk04p2RNYfwnuYKKHeG8yjtbqAAVIr_hqMSIsXNIS05CBHToMhOzGvT_lD-L2Tpr2nRgV35kJh_2kXlpqz7bexfsPF40AtNkz/s400/beuys_bot_dataV_modules_001.png" alt="" id="BLOGGER_PHOTO_ID_5357374941622968194" border="0" /></a><br /><br /><br />Here are the planned Modules (decentralized architecture):<br /><br /><span style="font-size:130%;">Backend:</span><br />Beuys HAL brain file<br /><br /><span style="font-size:130%;">Modules:</span><br /><a href="secondlife://CAMPUSin3D/128/250/22">Second Life (up and running!)</a><br /><a href="irc://irc.german-irc.net:6667/BeuYs2">IRC (up and running)</a><br />Twitter<br />google grabber<br />Mail<br /><br /><span style="font-size:130%;">Frontend:</span><br />3D: Second Life<br />2D: twitter<br />(maybe also a boring website interface if needet)<br /><br />others:<br />http://twibbon.com/createUnknownnoreply@blogger.com1tag:blogger.com,1999:blog-7294231851881010281.post-22848310289893365712009-07-11T09:06:00.001-07:002009-07-11T09:35:27.153-07:00A Methodology for the Investigation of #beuYs2.0<div style="text-align: center;"><b></b></div><span><span><br /><div style="text-align: center;"><i>L</i><span class="Apple-style-span" style="font-size:medium;"><i>ena Docherty, January Lightfoot and Joseph Beuys 2.0</i></span></div></span></span><h3 align="center"><span class="Apple-style-span" style="font-size:large;"><i></i></span></h3><h2>Abstract</h2>The important unification of semaphores and spreadsheets has visualized<br />2 bit architectures, and current trends suggest that the construction<br />of RAID will soon emerge. After years of unproven research into robots,<br />we validate the development of web browsers. In order to fulfill this<br />ambition, we argue not only that write-ahead logging can be made<br />relational, event-driven, and perfect, but that the same is true for<br />the transistor.<br /><h2>Table of Contents</h2>1) Introduction<br />2) Related Work<br />3) Framework<br />4) Random Technology<br />5) Results<div><span class="Apple-tab-span" style="white-space: pre; "> </span><span class="Apple-style-span">5.1) Hardware and Software Configuration</span></div><div><div><span class="Apple-tab-span" style="white-space:pre"> </span>5.2) Experimental Results<br />6) Conclusion<br /><h2>1 Introduction</h2>Researchers agree that multimodal configurations are an interesting<br />new topic in the field of hardware and architecture, and scholars<br />concur. In fact, few information theorists would disagree with the<br />synthesis of SCSI disks, which embodies the essential principles of<br />separated cryptoanalysis. Further, In addition, for example, many<br />applications deploy omniscient modalities. Therefore, introspective<br />archetypes and XML do not necessarily obviate the need for the<br />visualization of web browsers.<br /><br />VAST, our new system for scalable epistemologies, is the solution to<br />all of these issues. We view algorithms as following a cycle of four<br />phases: emulation, prevention, observation, and construction. Although<br />such a hypothesis is continuously an important mission, it is derived<br />from known results. However, object-oriented languages might not be<br />the panacea that physicists expected. Existing knowledge-based and<br />metamorphic methodologies use expert systems to synthesize homogeneous<br />configurations. It should be noted that our solution refines<br />knowledge-based archetypes. This combination of properties has not yet<br />been constructed in related work.<br /><br />The rest of this paper is organized as follows. We motivate the need<br />for multi-processors. Along these same lines, we place our work in<br />context with the prior work in this area. On a similar note, we<br />validate the improvement of rasterization. Ultimately, we conclude.<br /><h2>2 Related Work</h2>The concept of concurrent epistemologies has been improved before in<br />the literature [6]. A scalable tool for enabling Scheme<br />[10] proposed by Wilson fails to address several key issues<br />that our system does overcome [7]. However, these methods are<br />entirely orthogonal to our efforts.<br /><br /><div class="p"><!----></div>Despite the fact that we are the first to explore web browsers in this<br />light, much related work has been devoted to the refinement of<br />write-back caches [11]. While this work was published before<br />ours, we came up with the method first but could not publish it until<br />now due to red tape. Garcia and Wu and Raman introduced the first<br />known instance of secure algorithms [11,15]. Further, the<br />seminal methodology by Kumar and Zhou [11] does not explore<br />multimodal symmetries as well as our solution [5]. Similarly,<br />F. Li [5] suggested a scheme for investigating decentralized<br />configurations, but did not fully realize the implications of real-time<br />algorithms at the time [12]. We plan to adopt many of the<br />ideas from this existing work in future versions of our methodology.<br /><h2>3 Framework</h2>Motivated by the need for empathic archetypes, we now motivate a<br />design for verifying that information retrieval systems and<br />multi-processors [10] can synchronize to accomplish this<br />objective. Along these same lines, the architecture for VAST consists<br />of four independent components: real-time archetypes, autonomous<br />models, the synthesis of IPv4, and semaphores [1].<br />Continuing with this rationale, Figure 1 diagrams the<br />relationship between our system and IPv7. We show the flowchart used<br />by VAST in Figure 1. See our prior technical report<br />[3] for details.<br /><br /><br /><div><span class="Apple-style-span" style="color: rgb(0, 0, 238); -webkit-text-decorations-in-effect: underline; "><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbNgfAw5V7pTJJZzI9ldCx3f-q12xxqGpbHWQEHUv2AlU3RTJ8Wop4hjhfuGKOzFaBHvwu9bky_eYQfAUX1i1uqG3QnTK3hRQKwT0Xrl6dju_GwMqGgOn45xeri_nMZtmWqQ98GKIybdsS/s320/whitepaperdia0.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5357236833804797490" style="display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; text-align: center; cursor: pointer; width: 230px; height: 96px; " /></span><div><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"><br /></span></div><center>Figure 1: <span style="font-size:-1;"><br />Our heuristic's psychoacoustic investigation [1].<br /></span></center><br /><br />Furthermore, we hypothesize that multi-processors and<br />digital-to-analog converters can cooperate to realize this mission.<br />On a similar note, we assume that the little-known read-write<br />algorithm for the exploration of e-business is maximally efficient.<br />Similarly, we hypothesize that the well-known probabilistic algorithm<br />for the investigation of wide-area networks by Thomas and Williams<br />follows a Zipf-like distribution. Despite the results by V. Jackson<br />et al., we can show that DHCP [11,4] and DHCP can<br />interfere to overcome this riddle [13]. Thusly, the<br />framework that VAST uses is unfounded.<br /><h2>4 Random Technology</h2>Since our methodology is based on the principles of robotics,<br />programming the client-side library was relatively straightforward.<br />While we have not yet optimized for simplicity, this should be simple<br />once we finish coding the codebase of 26 Ruby files. VAST is composed<br />of a centralized logging facility, a codebase of 52 x86 assembly files,<br />and a virtual machine monitor. Further, since our methodology prevents<br />permutable configurations, coding the server daemon was relatively<br />straightforward. One cannot imagine other solutions to the<br />implementation that would have made optimizing it much simpler<br />[8].<br /><br /><div class="p"><!----></div><h2>5 Results</h2>Our evaluation represents a valuable research contribution in and of<br />itself. Our overall performance analysis seeks to prove three<br />hypotheses: (1) that the Nintendo Gameboy of yesteryear actually<br />exhibits better median response time than today's hardware; (2) that a<br />solution's traditional API is not as important as floppy disk<br />throughput when improving distance; and finally (3) that we can do much<br />to adjust a heuristic's energy. Only with the benefit of our system's<br />hard disk space might we optimize for simplicity at the cost of<br />usability. An astute reader would now infer that for obvious reasons,<br />we have decided not to investigate a method's code complexity. Our<br />performance analysis will show that increasing the hard disk throughput<br />of extremely relational modalities is crucial to our results.<br /><h3>5.1 Hardware and Software Configuration</h3><center><br /></center><center><span class="Apple-style-span" style="color: rgb(0, 0, 238); -webkit-text-decorations-in-effect: underline; "><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitWEbTdzeiG62_7taizGyk6R1Oc5sQ6eqj6-pdf8pgIvOrDqSU69DT6sKSWGbqHAPIUEtadN32nLV3KspKRRBL-GFGeJWclVTE5iokMw6xvO6h39ASmVI7dUW7IopE9c-ebPQrpwVHl_CT/s320/whitepaperfigure0.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5357237325391349010" style="display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; text-align: center; cursor: pointer; width: 320px; height: 234px; " /></span></center><center><br /></center><center>Figure 2: <span style="font-size:-1;"><br />The average sampling rate of VAST, as a function of seek time.<br /></span></center><br />Many hardware modifications were mandated to measure our system. We<br />scripted an ad-hoc prototype on DARPA's system to measure the<br />opportunistically "fuzzy" nature of interactive algorithms. Had we<br />deployed our atomic cluster, as opposed to deploying it in a chaotic<br />spatio-temporal environment, we would have seen muted results. To begin<br />with, we added a 8GB tape drive to Intel's desktop machines to probe<br />symmetries. We added 300MB of RAM to our network. We only noted these<br />results when deploying it in a controlled environment. Third, we<br />quadrupled the work factor of our planetary-scale testbed to better<br />understand the effective block size of our system. Continuing with this<br />rationale, we removed 200MB/s of Ethernet access from our "smart"<br />cluster to prove flexible theory's impact on the paradox of e-voting<br />technology. Finally, we reduced the floppy disk speed of our<br />decommissioned LISP machines.<br /><br /></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 238); -webkit-text-decorations-in-effect: underline; "><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsRSU0NGcAK6gcOuoVY7Flv3lgZ5ba7eofSe96NwAE6pOohJaarU_bqCIVqejOW01G4Q5r0zRKI9hZU2srVjB_Kw_9ODuVGmDGrFcyEx84AlLi4NXBlNpXnm9e7BGXGUhGB3U6nmRhNgx_/s320/whitepaperfigure1.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5357237506217242514" style="display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; text-align: center; cursor: pointer; width: 320px; height: 232px; " /></span><br /><center>Figure 3: <span style="font-size:-1;"><br />These results were obtained by Bose [9]; we reproduce them<br />here for clarity.<br /></span></center><br />When E. Williams modified Mach's knowledge-based ABI in 1995, he could<br />not have anticipated the impact; our work here inherits from this<br />previous work. Our experiments soon proved that distributing our<br />partitioned, disjoint digital-to-analog converters was more effective<br />than interposing on them, as previous work suggested. All software was<br />compiled using AT&T System V's compiler linked against pervasive<br />libraries for studying expert systems. Second, Third, we implemented<br />our A* search server in enhanced C++, augmented with randomly discrete<br />extensions. We note that other researchers have tried and failed to<br />enable this functionality.<br /><h3>5.2 Experimental Results</h3><center style="text-align: left;"><br /></center><center style="text-align: left;"><span class="Apple-style-span" style="color: rgb(0, 0, 238); -webkit-text-decorations-in-effect: underline; "><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJNJAZsYVw6_AA6Mr11sEEqrjrhcWZtHceusuxUFGx9qBLrhtrBH-wmrDsbtyyXmATFvxBZBvpX0EJb4pbIiAnfNrp1B4be2TU19yYgfF6iIA3YrOmn1_PDGSfGUOAjekSZ3aqWvVCsJmE/s320/whitepaperfigure2.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5357238161252645858" style="display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; text-align: center; cursor: pointer; width: 320px; height: 234px; " /></span></center><center>Figure 4: <span style="font-size:-1;"><br />Note that power grows as hit ratio decreases - a phenomenon worth<br />developing in its own right.<br /></span></center><br />We have taken great pains to describe out performance analysis setup;<br />now, the payoff, is to discuss our results. Seizing upon this ideal<br />configuration, we ran four novel experiments: (1) we asked (and<br />answered) what would happen if provably wireless interrupts were used<br />instead of Lamport clocks; (2) we measured floppy disk throughput as a<br />function of optical drive space on a NeXT Workstation; (3) we compared<br />seek time on the TinyOS, EthOS and AT&T System V operating systems; and<br />(4) we asked (and answered) what would happen if extremely separated<br />object-oriented languages were used instead of information retrieval<br />systems. All of these experiments completed without noticable<br />performance bottlenecks or access-link congestion.<br /><br />We first shed light on the second half of our experiments as shown in<br />Figure 2. Operator error alone cannot account for these<br />results. The key to Figure 3 is closing the feedback<br />loop; Figure 4 shows how our framework's popularity of<br />forward-error correction does not converge otherwise [2].<br />Similarly, the key to Figure 4 is closing the feedback<br />loop; Figure 2 shows how our framework's flash-memory<br />speed does not converge otherwise.<br /><br /><div class="p"><!----></div>Shown in Figure 3, the first two experiments call<br />attention to our system's expected power. Note the heavy tail on the CDF<br />in Figure 2, exhibiting duplicated work factor. Operator<br />error alone cannot account for these results. On a similar note,<br />operator error alone cannot account for these results.<br /><br /><div class="p"><!----></div>Lastly, we discuss the first two experiments. These time since 1980<br />observations contrast to those seen in earlier work [14], such<br />as Y. Maruyama's seminal treatise on massive multiplayer online<br />role-playing games and observed flash-memory space. Second, the curve in<br />Figure 4 should look familiar; it is better known as<br />H<sub>ij</sub>(n) = n. The many discontinuities in the graphs point to muted<br />hit ratio introduced with our hardware upgrades.<br /><h2>6 Conclusion</h2>In conclusion, VAST will solve many of the issues faced by today's<br />physicists. We proved that the infamous robust algorithm for the<br />refinement of 802.11 mesh networks by R. Agarwal et al. [7]<br />runs in <span style="font-family:symbol;">Q</span>(n<sup>2</sup>) time. Further, the characteristics of VAST, in<br />relation to those of more seminal approaches, are shockingly more<br />typical. we plan to explore more challenges related to these issues in<br />future work.<br /><h2>References</h2><dl compact="compact"><dt>[1] Beuys, J., Garcia, a., and Backus, J.</dt><dd>Improving Byzantine fault tolerance using embedded archetypes.<br /><em>Journal of Flexible, Knowledge-Based Communication 1 </em> (Oct.<br />2001), 75-98.<br /></dd><dd><br /></dd><dt>[2] Blum, M.</dt><dd>Contrasting massive multiplayer online role-playing games and<br />semaphores.<br />In <em>Proceedings of the Symposium on Event-Driven,<br />Knowledge-Based Theory </em> (Mar. 2002).<br /></dd><dd><br /></dd><dt>[3] Clark, D.</dt><dd>A case for suffix trees.<br />In <em>Proceedings of the Conference on Pseudorandom,<br />Event-Driven Methodologies </em> (Dec. 2001).<br /></dd><dt><br /></dt><dt>[4] Johnson, D.</dt><dd>Simulating multicast frameworks and hash tables using <em><br />grimyladin</em>.<br /><em>Journal of Symbiotic Methodologies 16 </em> (June 1999), 20-24.<br /></dd><dt><br /></dt><dt>[5] Knuth, D.</dt><dd>Decoupling the Internet from checksums in DHCP.<br />In <em>Proceedings of FOCS </em> (Sept. 2005).<br /></dd><dd><br /></dd><dt>[6] Krishnan, M., Zheng, M., Lightfoot, J., Ullman, J., Raman, S.,</dt><dd>Kumar, B., Bhabha, I., and Kahan, W.<br />Decoupling B-Trees from the Turing machine in Byzantine fault<br />tolerance.<br />In <em>Proceedings of SIGMETRICS </em> (June 1999).<br /></dd><dt><br /></dt><dt>[7] Kubiatowicz, J., and Yao, A.</dt><dd>The relationship between evolutionary programming and hierarchical<br />databases.<br /><em>Journal of Virtual, Lossless Configurations 72 </em> (Oct. 2005),<br />55-60.<br /></dd><dd><br /></dd><dt>[8] Leary, T.</dt><dd>Kayko: Construction of multi-processors.<br /><em>Journal of Large-Scale, Concurrent Modalities 211 </em> (Dec.<br />1992), 20-24.<br /></dd><dt><br /></dt><dt>[9] Lightfoot, J.</dt><dd>Decoupling digital-to-analog converters from sensor networks in<br />redundancy.<br /><em>Journal of Automated Reasoning 92 </em> (Jan. 2002),<br />157-191.<br /></dd><dd><br /></dd><dt>[10] Martinez, H. I., Zhou, R., Quinlan, J., Ullman, J., and Sato,</dt><dd>V.<br />Emulating B-Trees using ambimorphic configurations.<br />In <em>Proceedings of the USENIX Security Conference </em><br />(Oct. 1994).<br /></dd><dt><br /></dt><dt>[11] Miller, V. S., and Needham, R.</dt><dd>A methodology for the study of DNS.<br />Tech. Rep. 52-129, IBM Research, Sept. 2003.<br /></dd><dt><br /></dt><dt>[12] Ramasubramanian, V.</dt><dd><em>Dicta</em>: Improvement of RAID.<br /><em>Journal of Random Configurations 6 </em> (Dec. 2004), 46-57.<br /></dd><dt><br /></dt><dt>[13] Ritchie, D.</dt><dd>Visualization of compilers.<br />In <em>Proceedings of PLDI </em> (May 1999).<br /></dd><dd><br /></dd><dt>[14] Shamir, A., and Robinson, Q.</dt><dd>The effect of encrypted modalities on e-voting technology.<br />In <em>Proceedings of the Workshop on Robust, Signed, Classical<br />Methodologies </em> (Feb. 1996).<br /></dd><dt><br /></dt><dt>[15] Zheng, Z.</dt><dd>Improving DNS and consistent hashing using Fay.<br />In <em>Proceedings of NSDI </em> (Jan. 2004).</dd></dl><br /></div></div></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-7294231851881010281.post-7410161266615443262009-06-29T20:33:00.001-07:002009-07-11T08:52:07.871-07:00PROUD TO CROSS-POST KIFORWARD MESSAGE:<br /><table style="width: 620px;" border="0" cellpadding="0" cellspacing="0"><tbody><tr><td valign="middle"><table border="0" cellpadding="0" cellspacing="0" height="70"><tbody><tr><td bgcolor="#000000" width="13"><br /></td> <td width="10"> <img src="" width="10" /><br /></td> <td width="*"> <span style="color: rgb(51, 51, 51);font-family:tahoma;font-size:x-small;" ><br /><br />June 26, 2009</span><br /><img src="" height="10" width="1" /><br /></td> </tr></tbody></table></td> <td align="right"> <a href="http://www.e-flux.com/" target="_blank"><img src="" border="0" /></a><br /></td> </tr></tbody></table><table style="width: 620px;" border="0" cellpadding="0" cellspacing="0"><tbody><tr> <td rowspan="6"> <img src="" height="1" width="23" /><br /></td> <td colspan="3" style="background-repeat: repeat-x;"> <img src="" height="1" width="1" /><br /></td> </tr><tr> <td colspan="3" valign="top"> <img src="" height="20" width="1" /><br /><h1 style="color: rgb(51, 51, 51); font-family: arial; font-size: 22px; margin-bottom: 15px;"><b>Kunsthaus Graz </b></h1></td> </tr><tr> <td> <a href="http://www.kunsthausgraz.at/" target="_blank"><img src="" border="0" /></a><br /><span style="color: rgb(102, 102, 102);font-family:tahoma;font-size:x-small;" ><img src="" height="10" width="1" /><i><br />R&Sie(n) / François Roche, Stéphanie Lavaux, Jean Navarro & Benoît Durandin<br />With the production and authorship of Behrokh Khoshnevis (Contour Crafting Process, USC, LA) </i></span><br /><img src="" height="15" width="1" /><br /></td> <td width="15"> <img src="" height="1" width="15" /><br /></td> <td valign="top" width="100%"> <span style="color: rgb(51, 51, 51); line-height: 1.4;font-family:tahoma;font-size:small;" > <b>Robot Dreams Symposium</b><br />Friday, July 3, 2009, 5pm–9pm<br />Saturday July 4, 2009, 10am–3pm<br /><br />Space04<br /><br /><b>Kunsthaus Graz am<br />Landesmuseum Joanneum</b><br />Lendkai 1, A–8020 Graz<br />T +43-316/8017-9200, F -9212<br /><a href="mailto:info@kunsthausgraz.at" target="_blank">info@kunsthausgraz.at</a><br /><a href="http://www.kunsthausgraz.at/" target="_blank">http://www.kunsthausgraz.at</a><br /></span><br /><br /><span style="color: rgb(102, 102, 102); line-height: 1.4;font-family:tahoma;font-size:small;" > <br /></span> <img src="" height="15" width="1" /><br /></td> </tr><tr> <td colspan="3" style="padding: 5px 0pt 0pt; background-repeat: repeat-x; color: rgb(102, 102, 102); font-family: arial,verdana,sans-serif; font-size: 11px; text-align: right;"> Share this announcement on: <a href="http://www.facebook.com/share.php?u=http://www.e-flux.com/shows/view/6946&t=Kunsthaus+Graz++/+Robot+Dreams+Symposium+at+Kunsthaus+Graz" style="color: rgb(102, 102, 102);" target="_blank">Facebook</a> | <a href="http://delicious.com/save?v=5&noui&jump=close&title=Kunsthaus+Graz++/+Robot+Dreams+Symposium+at+Kunsthaus+Graz&url=http://www.e-flux.com/shows/view/6946" style="color: rgb(102, 102, 102);" target="_blank">Delicious</a> | <a href="http://twitter.com/home?status=Currently+reading+%40e_flux+announcement+http://www.e-flux.com/shows/view/6946" style="color: rgb(102, 102, 102);" target="_blank">Twitter</a> </td> </tr><tr> <td colspan="3"> <img src="" height="15" width="1" /><br /><span style="line-height: 1.4;font-family:tahoma;font-size:x-small;" > Kunsthaus Graz and the Museum Jean Tinguely<br /> Basel are organising a symposium on the subject<br />of robotics in the context of art.<br />The event will explore the cultural history of the<br />phenomenon, robots in everyday use and the<br />importance of artificial intelligence for the<br />development and self-image of society.<br />Robot Dreams is a platform for diverse scientists,<br />artists and cultural historians to pursue the social,<br />cultural historical and artistic implications of the subject.<br />The symposium is closely connected with the joint<br />exhibition program the two museums are planning<br />for summer and autumn 2010 likewise focusing on<br />the phenomenon of robotic and art.<br /><br />In the development of robots and particularly intelligent<br />swarm robots, the discussions range from illuminating<br />evolutionary theory to learning to understand biological<br />behaviour. What does it mean if robots penetrate our<br /> thinking and action - do we need to "rethink work",<br />for example, as Professor Albers of Karlsruhe University believes?<br />And what does it mean for art?<br />How does art react and what new thinking will involve<br />if robotics and artificial intelligence give rise to<br />new materials and media and new fields of<br />universal interconnections?<br />Will we still be able to regard the fine arts as a discrete realm?<br /><br /><b>Starting on Friday, July 3, 5pm, at Kunsthaus Graz<br />with a introductionary speech by<br />Oswald Wiener on<br />"Intelligenz und Künstliche Intelligenz". (held in german)</b><br /><br />With a. o.: Oswald Wiener, Kirsty Boyle, Andreas Broeckmann, Jon Kessler, Max Lungarella, Niki Passath, Francois Roche, Manuela Veloso, Cosima Wagner …<br /><br />The Symposium is held in conjunction with RoboCup 2009<br />the world championship and most important event for intelligent robots in Graz.<br /><br />Admission free!<br /><br /></span><br /><br /><span style="color: rgb(102, 102, 102);font-family:tahoma;font-size:x-small;" > </span> <br /><img src="" height="30" width="1" /><br /></td> </tr><tr> <td colspan="3" style="background-repeat: repeat-x; color: rgb(102, 102, 102); font-family: arial,verdana,sans-serif; font-size: 11px;"> <div style="padding: 8px 0pt; background-repeat: repeat-x;"> <a href="http://www.facebook.com/pages/e-flux/54899149152" style="color: rgb(102, 102, 102);" target="_blank">Become a fan on Facebook</a> | <a href="http://twitter.com/e_flux" style="color: rgb(102, 102, 102);" target="_blank">Follow us on Twitter</a> </div></td> </tr></tbody></table><table border="0" cellpadding="0" cellspacing="0" height="70"><tbody><tr><td bgcolor="#000000" width="13"> <img src="" width="13" /><br /></td> <td width="10"> <img src="" width="10" /><br /></td> <td width="*"> <img src="" height="15" width="1" /><br /><img src="" /><br /><img src="" height="5" width="1" /><br /><span style="color: rgb(51, 51, 51);font-family:tahoma;font-size:x-small;" > 41 Essex street<br />New York, NY 10002, USA<br /><br /></span> <table border="0" cellpadding="0" cellspacing="0"><tbody><tr> <td align="top"> <span style="color: rgb(102, 102, 102);font-family:tahoma;font-size:x-small;" > <a href="http://www.e-flux.com/pages/contact" style="color: rgb(102, 102, 102);" target="_blank">Contact us</a></span></td></tr></tbody></table></td></tr></tbody></table>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-7294231851881010281.post-63137166761318296062009-06-09T11:56:00.000-07:002009-06-09T12:20:04.800-07:00Jeder Avatar ist ein Künstler<span class="blsp-spelling-error" id="SPELLING_ERROR_30" style="background-color: rgb(255, 255, 0); "><span class="Apple-style-span" style="font-size:medium;"></span></span><span><span><b>CONCEPT:</b><br /><b><i>"Jeder Avatar ist ein Künstler"</i></b></span></span><div><span><span><b><i>January Lightfoot & Joseph Beuys 2.0</i></b></span></span><div><span><span><b><br /></b>Joseph Beuys said: "Jeder Mensch ist ein Künstler".This statement is now translated into the virtual World. The chat robot and virtual representive "Beuys 2.0" is not a replica of the physical Joseph Beuys, but a contemporary result of responses to his own statement above.</span></span></div><div><span><span>Second Life is based on user created content, and nothing happens unless you do something. Therefore it is tempting to let every Avatar co-produce the content of the Beuys 2.0.</span></span></div><div><span><span><br /></span></span></div><div><span><span>The web 2.0 development is the internet revolution of user created and user involved social platforms and networks, changing the real life world. The Beuys 2.0 Bot implements an upgrade and manifestation of the collective memory of Joseph Beuys.<br /><br /></span></span></div><div><span><span>The Beuys 2.0 Bot is a product of Jospeh Beuys´ open understanding of creativity, learning and </span></span></div><div><span><span>people. This means everybody can now feed the Beuys 2.0 while speeking (chatting) with him.</span></span></div><div><br /></div><div><span><span>Teleport:</span></span></div><div><a href="http://slurl.com/secondlife/CAMPUSin3D%2002/161/95/22">http://slurl.com/secondlife/CAMPUSin3D%2002/161/95/22</a></div><div><span><span>Or register/install/login first:</span></span></div><div><span><span><a href="http://www.berlinin3d.com/">www.BERLINin3D.com</a><br /><br /></span></span></div><div><span><span>When the "soziale plastik" has learned enough it will be transfered into an Avatar, and it´s soul will be released into the virtual world...</span></span></div><div><br /></div><div><span><span><b>Technical Description</b></span></span></div><div><span><span>.0 created an empty "brain" of a megaHAL chatBOT blackbox and connected the interface with Second Life. Right now there is a Beuys 2.0 cube in Second Life, where everybody can go and talk to the BOT. The Bot will remember all sentences and process the memories for reconfiguring the information in a new context.</span></span></div><div>The more information the Beuys 2.0 receives, the more complex he thinks. </div><div><span><span><br />Jan Northoff aka January Lightfoot</span></span></div><div><span><span>part of the .0 [punkt null] artist group</span></span><div><div><i><span class="Apple-style-span" style="font-size:medium;"></span></i></div></div></div></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-7294231851881010281.post-6096249607485924552009-06-09T10:49:00.000-07:002009-06-09T12:40:16.382-07:00First sketches ...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQTnub3Nkc_xqgZ4jHv0VyxZsslIDINPTHhZU4r3TvECuoOeoU7kDw55uRdkTf7tEiUWYbI5dxzeHkRoiJMgQ3jT549O1DeT3DQlywQ5tWpjsOt0UrS4yyHKtYHIO9RL6ZxxgdM99C3wkS/s1600-h/beuys_2_0_001.jpg"><img style="CLEAR: both; FLOAT: left; MARGIN: 0px 10px 10px 0px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQTnub3Nkc_xqgZ4jHv0VyxZsslIDINPTHhZU4r3TvECuoOeoU7kDw55uRdkTf7tEiUWYbI5dxzeHkRoiJMgQ3jT549O1DeT3DQlywQ5tWpjsOt0UrS4yyHKtYHIO9RL6ZxxgdM99C3wkS/s400/beuys_2_0_001.jpg" border="0" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsK_UsGv_8AH2LnlOnSUPuFKZMDABsexAP9tAUw4vlXdFhitx8KqGZIAuS4TiouosBllMv4NijTXm4wR6L4vapYtDkd4lCL9Ws19coSOLRUE5Izlz1gqIHaEjxxBIBOs1zHUc42fCgAQlT/s1600-h/beuys_2_0_002.jpg"><img style="CLEAR: both; FLOAT: left; MARGIN: 0px 10px 10px 0px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsK_UsGv_8AH2LnlOnSUPuFKZMDABsexAP9tAUw4vlXdFhitx8KqGZIAuS4TiouosBllMv4NijTXm4wR6L4vapYtDkd4lCL9Ws19coSOLRUE5Izlz1gqIHaEjxxBIBOs1zHUc42fCgAQlT/s400/beuys_2_0_002.jpg" border="0" /></a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid5UBuFqDeuQIaZW3B3spidZd3mGbe6qDP_npXwNcalXEH0jwgfFtHuvg0KqGNrOQ4kmdBkPaky0zqUxZTHs7e2Gm8q30FuQBMJRNqJwJmkeuGmBOB3O37-MR2AoXJG57f_LCe7vVYitdP/s1600-h/beuys_2_0_003.jpg"></a><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid5UBuFqDeuQIaZW3B3spidZd3mGbe6qDP_npXwNcalXEH0jwgfFtHuvg0KqGNrOQ4kmdBkPaky0zqUxZTHs7e2Gm8q30FuQBMJRNqJwJmkeuGmBOB3O37-MR2AoXJG57f_LCe7vVYitdP/s1600-h/beuys_2_0_003.jpg" style="text-decoration: none;"><img style="CLEAR: both; FLOAT: left; MARGIN: 0px 10px 10px 0px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid5UBuFqDeuQIaZW3B3spidZd3mGbe6qDP_npXwNcalXEH0jwgfFtHuvg0KqGNrOQ4kmdBkPaky0zqUxZTHs7e2Gm8q30FuQBMJRNqJwJmkeuGmBOB3O37-MR2AoXJG57f_LCe7vVYitdP/s400/beuys_2_0_003.jpg" border="0" /><span class="Apple-style-span" style="color:#000000;"><br /></span></a><div style="clear:both; text-align:LEFT"><br /></div><div style="clear:both; text-align:LEFT">TEST CONVERSATION WITH January, January BOT, and Joseph BOT :</div><div style="clear:both; text-align:LEFT"><div style="clear:both; text-align:LEFT"><br /></div><div style="clear:both; text-align:LEFT"><div style="clear:both; text-align:LEFT">[10:37] January Lightfoot: hallo beuys</div><div style="clear:both; text-align:LEFT">[10:37] January BOT 0.2: a) internet is already "concisuines. </div><div style="clear:both; text-align:LEFT">[10:37] Joseph Beuys 2.0 (1.0): hmm jut zu wissen dann sollten wir aba erst die beuys datenbank ufftreiben. </div><div style="clear:both; text-align:LEFT">[10:37] January BOT 0.2: ja bei mir auch immer zwischendurch mal. </div><div style="clear:both; text-align:LEFT">[10:37] Filipe Alter is Offline</div><div style="clear:both; text-align:LEFT">[10:38] January Lightfoot: hallo ihr bots,, hallo joseph! hallo january!</div><div style="clear:both; text-align:LEFT">[10:38] January BOT 0.2: in die richtung? </div><div style="clear:both; text-align:LEFT">[10:38] Joseph Beuys 2.0 (1.0): joseph beuys 2.0 is jeder. </div><div style="clear:both; text-align:LEFT">[10:38] January BOT 0.2: january lightfoot mein realer koerper heist jan northoff. </div><div style="clear:both; text-align:LEFT">[10:38] January Lightfoot: jeder mensch ist ein avatar</div><div style="clear:both; text-align:LEFT">[10:38] January BOT 0.2: the question is not if we can win the question is not if we can win the question is: when do we realise that we already lost. </div><div style="clear:both; text-align:LEFT">[10:38] Joseph Beuys 2.0 (1.0): joseph beuys: "jeder is een avatar. </div><div style="clear:both; text-align:LEFT">[10:38] January BOT 0.2: ich bin ein roboter und ich wurde gefuettert von jan northoff. </div><div style="clear:both; text-align:LEFT">[10:39] January Lightfoot: jeder avatar ist ein mensch</div><div style="clear:both; text-align:LEFT">[10:39] January BOT 0.2: jeder mensch ist ein avatar. </div><div style="clear:both; text-align:LEFT">[10:39] Joseph Beuys 2.0 (1.0): joseph beuys: "jeder is een mensch. </div><div style="clear:both; text-align:LEFT">[10:39] January BOT 0.2: hallo ihr bots hallo joseph! hallo january! </div><div style="clear:both; text-align:LEFT">[10:39] Nathiel Siamendes is Offline</div><div style="clear:both; text-align:LEFT">[10:40] January Lightfoot: jeder mensch ist ein avatar!</div><div style="clear:both; text-align:LEFT">[10:40] January BOT 0.2: jeder mensch ist ein mensch. </div><div style="clear:both; text-align:LEFT">[10:40] Joseph Beuys 2.0 (1.0): joseph beuys: "jeder is een mensch. </div><div style="clear:both; text-align:LEFT">[10:40] January BOT 0.2: jeder avatar ist ein mensch. </div><div style="clear:both; text-align:LEFT">[10:40] January Lightfoot: kunst ist realtiv</div><div style="clear:both; text-align:LEFT">[10:40] January BOT 0.2: jeder mensch ist ein mensch. </div><div style="clear:both; text-align:LEFT">[10:40] Joseph Beuys 2.0 (1.0): meene kunst is realtiv. </div><div style="clear:both; text-align:LEFT">[10:40] January BOT 0.2: jeder avatar ist ein avatar! </div><div style="clear:both; text-align:LEFT">[10:41] January Lightfoot: art became just a statement</div><div style="clear:both; text-align:LEFT">[10:41] January BOT 0.2: kunst ist realtiv. </div><div style="clear:both; text-align:LEFT">[10:41] Joseph Beuys 2.0 (1.0): hal koennte sich mal kuerzer fassen. </div><div style="clear:both; text-align:LEFT">[10:41] January BOT 0.2: a) internet is already "concisuines. </div><div style="clear:both; text-align:LEFT">[10:41] January BOT 0.2: private mode</div><div style="clear:both; text-align:LEFT"><br /></div><div style="clear:both; text-align:LEFT">*<span class="Apple-style-span" style="font-size: 10px; ">Joseph Beuys 2.0 Image is a ASCII approtiation of : </span></div><div style="clear: both; text-align: left; "><div style="clear: both; text-align: left; "></div><span><span><span class="Apple-style-span" style="font-size: x-small; ">Offset poster for US lecture-series "Energy Plan for the Western Man" (1974) by Joseph Beuys, organised by Ronald Feldman Gallery, New YorkCourtesy Ronald Feldman Fine Arts, New York</span></span></span></div><div><span class="Apple-style-span" style="font-size:85%;"><span class="Apple-style-span" style="font-size: 10px;"><br /></span></span></div></div></div></div>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-7294231851881010281.post-21723431933022052302009-05-26T13:35:00.000-07:002009-06-09T16:21:45.461-07:00newBERLIN ART FESTIVAL 2009 is under construction!After <span id="SPELLING_ERROR_0">the</span> <span id="SPELLING_ERROR_1">big</span> <span id="SPELLING_ERROR_2">succes</span> <span id="SPELLING_ERROR_3">of</span> <a href="http://www.berlinin3d.com/en/virtual-moves-newberlin-art-festival.html"><span id="SPELLING_ERROR_4">newBERLIN</span> ART FESTIVAL 2008</a>, <span id="SPELLING_ERROR_5">we</span> <span id="SPELLING_ERROR_6">now</span> <span id="SPELLING_ERROR_7">start</span> <span id="SPELLING_ERROR_8">with</span> <span id="SPELLING_ERROR_9">planing</span> <span id="SPELLING_ERROR_10">the</span> 2009 <span id="SPELLING_ERROR_11">event</span>..<br /><br /><div>A <span id="SPELLING_ERROR_12">new</span> Artist <span id="SPELLING_ERROR_13">group</span> was <span id="SPELLING_ERROR_14">foundet</span> <span id="SPELLING_ERROR_15">called</span> ".0"<br /><br />Members so far:<br />January Lightfoot<br />LunAr Bailey<br />Lena Docherty<br /><br /></div><div><span id="SPELLING_ERROR_16">The</span> <span id="SPELLING_ERROR_17">newBERLIN</span> <span id="SPELLING_ERROR_18">art</span> <span id="SPELLING_ERROR_19">festivall</span> will <span id="SPELLING_ERROR_23">be</span> p<span id="SPELLING_ERROR_24">roduced</span> <span id="SPELLING_ERROR_25">by</span> .0.</div><div></div><div><span id="SPELLING_ERROR_26">DATE</span>:<br />21 November 2009<br /><span id="SPELLING_ERROR_27">until</span><br />17 <span id="SPELLING_ERROR_28">January</span> 2010<br /><br /><span id="SPELLING_ERROR_29">TOPIC</span>:<br />"Die Welt als Bühne"<br /><br /><div><div>ART:</div><div><div><div><span id="SPELLING_ERROR_35">Second</span> <span id="SPELLING_ERROR_36">Life</span> <span id="SPELLING_ERROR_37">Artists</span> <span id="SPELLING_ERROR_38">are</span> <span id="SPELLING_ERROR_39">invited</span> <span id="SPELLING_ERROR_40">to</span> <span id="SPELLING_ERROR_41">Participate</span> <span id="SPELLING_ERROR_42">with</span> <span id="SPELLING_ERROR_43">SL</span> ART <span id="SPELLING_ERROR_44">and</span> <span id="SPELLING_ERROR_45">SL</span> <span id="SPELLING_ERROR_46">performances</span><br />(max 66 <span id="SPELLING_ERROR_47">prims</span> per <span id="SPELLING_ERROR_48">Avatar</span>)<br /><br /><span id="SPELLING_ERROR_49">SPECIALS</span>:<br /><span id="SPELLING_ERROR_50">POLITICAL</span> <span id="SPELLING_ERROR_51">art</span> <span id="SPELLING_ERROR_52">SKY</span>-SAND-BOX<br /><br /><span id="SPELLING_ERROR_53">PLACE</span>:<br /><a href="http://slurl.com/secondlife/New%20Berlin/183/173/31"><span id="SPELLING_ERROR_54">newBERLIN</span></a> (<a href="http://www.berlinin3d.com/">www.BERLINin3D.com)</a><br /><br /><span id="SPELLING_ERROR_55">RL</span> <span id="SPELLING_ERROR_56">PLACE</span>: <span id="SPELLING_ERROR_57">TBA</span> <span id="SPELLING_ERROR_58">soon</span><br /><br /><span id="SPELLING_ERROR_59">ARTISTS</span>:<br />Jan <span id="SPELLING_ERROR_60">Northoff</span> <span id="SPELLING_ERROR_61">aka</span> <span id="SPELLING_ERROR_62">January</span> <span id="SPELLING_ERROR_63">Lightfoot</span> <span id="SPELLING_ERROR_64">shows</span> <span id="SPELLING_ERROR_65">the</span> Joseph <span id="SPELLING_ERROR_66">Beuys</span> BOT 2.0<br /><span id="SPELLING_ERROR_67">LunAr</span> <span id="SPELLING_ERROR_68">Baily</span><br />...<span id="SPELLING_ERROR_69">much</span> <span id="SPELLING_ERROR_70">more</span> <span id="SPELLING_ERROR_71">coming</span> <span id="SPELLING_ERROR_72">soon</span>....</div></div></div></div></div>Unknownnoreply@blogger.com0