new BERLIN ART FESTIVAL | 3-D online art museum

Asshole Bot

noreply@blogger.com (January) — Wed, 05 Oct 2011 19:33:00 +0000

A new Artis Bot series from the .0 artist group. Besides the Joseph Beuys art bot, there now will be the Jason Rhoades art bot and the insultig Asshole art bot:
Be an asshole!
Use all your negative energy to swear at the Asshole Bot:
&amp;amp;amp;lt;p&amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt; &amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Joseph Beuys 2.0 chat &amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://youin3d.dyndns-server.com:9001/megahal.html"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Joseph BeuYs 2.0 BRAIN CHAT&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;lt;/p&amp;amp;amp;gt;
YOU HAVE TO BE 18 to chat with the Asshole Bot !
MATURE LANGUAGE!
WARNING FSK 18!

WORLDWIDE Real and Virtual art Event 2010

noreply@blogger.com (January) — Thu, 10 Dec 2009 17:15:00 +0000

Let´s syncronize a Worldwide event, taking place at several real exhibithion Spaces, and connect them all with Second Life in August or September in 2010

If you want to Participate contact "January Lightfoot" in Second Life.

If you want to be Informed about the Process, just leave Mail/Avatar Name here:

Loading...

ARTIST LIST new BERLIN art FESTIVAL 2009

noreply@blogger.com (January) — Thu, 19 Nov 2009 18:05:00 +0000

Joseph Beuys 2.0 chat <a href="http://docs.google.com/View?id=dgbxz9tm_55dppzzjgg">Joseph BeuYs 2.0 BRAIN CHAT</a>

REGISTER NOW!

noreply@blogger.com (January) — Mon, 10 Aug 2009 20:11:00 +0000

newBERLIN art Festival REGISTRATION OPEN!

You want to take part at the 2nd newBERLIN art Festival?!
around September/Octoberin 2010 in SL.

Every artist can take part of the public exhibithion in newBERLIN.
Selected works will be seen in Indoor Locations...

Make sure to FIRST pick a LOCATION in newBERLIN, WHERE you want to put your art piece!
Visit: http://slurl.com/secondlife/New%20Berlin/193/184/31

&amp;amp;lt;p&amp;amp;gt;&amp;amp;lt;p&amp;amp;gt;&amp;amp;lt;p&amp;amp;gt;&amp;amp;lt;p&amp;amp;gt;Laden...&amp;amp;lt;/p&amp;amp;gt;&amp;amp;lt;/p&amp;amp;gt;&amp;amp;lt;/p&amp;amp;gt;&amp;amp;lt;/p&amp;amp;gt;

Mixed Impressions on 2009:

How it worked in 2009:

RULES:
1. Leave room for the "newBERLIN Builder" group to create objects (REZ) in newBERLIN.
You will get a group invite from "Maike Hoorenbeek"
2. DO NOT FORGET TO SET ALL YOUR STUFF TO THE GROUP, so we can move them if we need to.
Non group Objects will be returned without Warning!
3. Take Pictures of your installed art piece and upload them to Flickr, and do use this TAG:
"new BERLIN art FESTIVAL 2009" and PLEASE put http://www.newberlinartfestival.com/ into the discription!.
If you do so we can show your pictures as a slideshow in the RL exhibithion space.

Members so far:
Daggett Beerbaum
Step5 Iceberg

.0 (artist group)

January Lightfoot
LunAr Bailey
Lena Docherty
Atze Huyen

Tom Lowe

Ikaros Kappler

Joseph Beuys 2.0 ( #BeuYs2 )

The newBERLIN art festival will be produced by .0.

DATE:
21 November 2009
until
17 January 2010

TOPIC:
"Die Welt als Bühne"

ART:

Second Life Artists are invited to Participate with SL ART and SLperformances.

SPECIALS:
POLITICAL art SKY-SAND-BOX

virtual PLACE:
newBERLIN (www.BERLINin3D.com)

physical PLACE:

http://www.nbk.org

Welt als Bühne

21. November 2009 – 17. Januar 2010
Eröffnung: Freitag, 20. November, 19 Uhr

NBK visitor Avatar sketch

noreply@blogger.com (January) — Sat, 01 Aug 2009 15:50:00 +0000

NBK visitor Avatar sketch

noreply@blogger.com (January) — Wed, 22 Jul 2009 23:46:00 +0000

lintux

noreply@blogger.com (January) — Mon, 20 Jul 2009 22:46:00 +0000

MODULE ARCHITECTURE beuYs 2.0

noreply@blogger.com (January) — Sat, 11 Jul 2009 18:59:00 +0000

Here are the planned Modules (decentralized architecture):

Backend:
Beuys HAL brain file

Modules:
Second Life (up and running!)
IRC (up and running)
Twitter
google grabber
Mail

Frontend:
3D: Second Life
2D: twitter
(maybe also a boring website interface if needet)

others:
http://twibbon.com/create

A Methodology for the Investigation of #beuYs2.0

noreply@blogger.com (January) — Sat, 11 Jul 2009 16:06:00 +0000

Lena Docherty, January Lightfoot and Joseph Beuys 2.0

Abstract

The important unification of semaphores and spreadsheets has visualized
2 bit architectures, and current trends suggest that the construction
of RAID will soon emerge. After years of unproven research into robots,
we validate the development of web browsers. In order to fulfill this
ambition, we argue not only that write-ahead logging can be made
relational, event-driven, and perfect, but that the same is true for
the transistor.

1) Introduction
2) Related Work
3) Framework
4) Random Technology
5) Results

5.1) Hardware and Software Configuration

5.2) Experimental Results
6) Conclusion

1 Introduction

Researchers agree that multimodal configurations are an interesting
new topic in the field of hardware and architecture, and scholars
concur. In fact, few information theorists would disagree with the
synthesis of SCSI disks, which embodies the essential principles of
separated cryptoanalysis. Further, In addition, for example, many
applications deploy omniscient modalities. Therefore, introspective
archetypes and XML do not necessarily obviate the need for the
visualization of web browsers.

VAST, our new system for scalable epistemologies, is the solution to
all of these issues. We view algorithms as following a cycle of four
phases: emulation, prevention, observation, and construction. Although
such a hypothesis is continuously an important mission, it is derived
from known results. However, object-oriented languages might not be
the panacea that physicists expected. Existing knowledge-based and
metamorphic methodologies use expert systems to synthesize homogeneous
configurations. It should be noted that our solution refines
knowledge-based archetypes. This combination of properties has not yet
been constructed in related work.

The rest of this paper is organized as follows. We motivate the need
for multi-processors. Along these same lines, we place our work in
context with the prior work in this area. On a similar note, we
validate the improvement of rasterization. Ultimately, we conclude.

2 Related Work

The concept of concurrent epistemologies has been improved before in
the literature [6]. A scalable tool for enabling Scheme
[10] proposed by Wilson fails to address several key issues
that our system does overcome [7]. However, these methods are
entirely orthogonal to our efforts.

Despite the fact that we are the first to explore web browsers in this
light, much related work has been devoted to the refinement of
write-back caches [11]. While this work was published before
ours, we came up with the method first but could not publish it until
now due to red tape. Garcia and Wu and Raman introduced the first
known instance of secure algorithms [11,15]. Further, the
seminal methodology by Kumar and Zhou [11] does not explore
multimodal symmetries as well as our solution [5]. Similarly,
F. Li [5] suggested a scheme for investigating decentralized
configurations, but did not fully realize the implications of real-time
algorithms at the time [12]. We plan to adopt many of the
ideas from this existing work in future versions of our methodology.

3 Framework

Motivated by the need for empathic archetypes, we now motivate a
design for verifying that information retrieval systems and
multi-processors [10] can synchronize to accomplish this
objective. Along these same lines, the architecture for VAST consists
of four independent components: real-time archetypes, autonomous
models, the synthesis of IPv4, and semaphores [1].
Continuing with this rationale, Figure 1 diagrams the
relationship between our system and IPv7. We show the flowchart used
by VAST in Figure 1. See our prior technical report
[3] for details.

Figure 1:
Our heuristic's psychoacoustic investigation [1].

Furthermore, we hypothesize that multi-processors and
digital-to-analog converters can cooperate to realize this mission.
On a similar note, we assume that the little-known read-write
algorithm for the exploration of e-business is maximally efficient.
Similarly, we hypothesize that the well-known probabilistic algorithm
for the investigation of wide-area networks by Thomas and Williams
follows a Zipf-like distribution. Despite the results by V. Jackson
et al., we can show that DHCP [11,4] and DHCP can
interfere to overcome this riddle [13]. Thusly, the
framework that VAST uses is unfounded.

4 Random Technology

Since our methodology is based on the principles of robotics,
programming the client-side library was relatively straightforward.
While we have not yet optimized for simplicity, this should be simple
once we finish coding the codebase of 26 Ruby files. VAST is composed
of a centralized logging facility, a codebase of 52 x86 assembly files,
and a virtual machine monitor. Further, since our methodology prevents
permutable configurations, coding the server daemon was relatively
straightforward. One cannot imagine other solutions to the
implementation that would have made optimizing it much simpler
[8].

5 Results

Our evaluation represents a valuable research contribution in and of
itself. Our overall performance analysis seeks to prove three
hypotheses: (1) that the Nintendo Gameboy of yesteryear actually
exhibits better median response time than today's hardware; (2) that a
solution's traditional API is not as important as floppy disk
throughput when improving distance; and finally (3) that we can do much
to adjust a heuristic's energy. Only with the benefit of our system's
hard disk space might we optimize for simplicity at the cost of
usability. An astute reader would now infer that for obvious reasons,
we have decided not to investigate a method's code complexity. Our
performance analysis will show that increasing the hard disk throughput
of extremely relational modalities is crucial to our results.

5.1 Hardware and Software Configuration

Figure 2:
The average sampling rate of VAST, as a function of seek time.

Many hardware modifications were mandated to measure our system. We
scripted an ad-hoc prototype on DARPA's system to measure the
opportunistically "fuzzy" nature of interactive algorithms. Had we
deployed our atomic cluster, as opposed to deploying it in a chaotic
spatio-temporal environment, we would have seen muted results. To begin
with, we added a 8GB tape drive to Intel's desktop machines to probe
symmetries. We added 300MB of RAM to our network. We only noted these
results when deploying it in a controlled environment. Third, we
quadrupled the work factor of our planetary-scale testbed to better
understand the effective block size of our system. Continuing with this
rationale, we removed 200MB/s of Ethernet access from our "smart"
cluster to prove flexible theory's impact on the paradox of e-voting
technology. Finally, we reduced the floppy disk speed of our
decommissioned LISP machines.

Figure 3:
These results were obtained by Bose [9]; we reproduce them
here for clarity.

When E. Williams modified Mach's knowledge-based ABI in 1995, he could
not have anticipated the impact; our work here inherits from this
previous work. Our experiments soon proved that distributing our
partitioned, disjoint digital-to-analog converters was more effective
than interposing on them, as previous work suggested. All software was
compiled using AT&T System V's compiler linked against pervasive
libraries for studying expert systems. Second, Third, we implemented
our A* search server in enhanced C++, augmented with randomly discrete
extensions. We note that other researchers have tried and failed to
enable this functionality.

5.2 Experimental Results

Figure 4:
Note that power grows as hit ratio decreases - a phenomenon worth
developing in its own right.

We have taken great pains to describe out performance analysis setup;
now, the payoff, is to discuss our results. Seizing upon this ideal
configuration, we ran four novel experiments: (1) we asked (and
answered) what would happen if provably wireless interrupts were used
instead of Lamport clocks; (2) we measured floppy disk throughput as a
function of optical drive space on a NeXT Workstation; (3) we compared
seek time on the TinyOS, EthOS and AT&T System V operating systems; and
(4) we asked (and answered) what would happen if extremely separated
object-oriented languages were used instead of information retrieval
systems. All of these experiments completed without noticable
performance bottlenecks or access-link congestion.

We first shed light on the second half of our experiments as shown in
Figure 2. Operator error alone cannot account for these
results. The key to Figure 3 is closing the feedback
loop; Figure 4 shows how our framework's popularity of
forward-error correction does not converge otherwise [2].
Similarly, the key to Figure 4 is closing the feedback
loop; Figure 2 shows how our framework's flash-memory
speed does not converge otherwise.

Shown in Figure 3, the first two experiments call
attention to our system's expected power. Note the heavy tail on the CDF
in Figure 2, exhibiting duplicated work factor. Operator
error alone cannot account for these results. On a similar note,
operator error alone cannot account for these results.

Lastly, we discuss the first two experiments. These time since 1980
observations contrast to those seen in earlier work [14], such
as Y. Maruyama's seminal treatise on massive multiplayer online
role-playing games and observed flash-memory space. Second, the curve in
Figure 4 should look familiar; it is better known as
H_ij(n) = n. The many discontinuities in the graphs point to muted
hit ratio introduced with our hardware upgrades.

6 Conclusion

In conclusion, VAST will solve many of the issues faced by today's
physicists. We proved that the infamous robust algorithm for the
refinement of 802.11 mesh networks by R. Agarwal et al. [7]
runs in Q(n²) time. Further, the characteristics of VAST, in
relation to those of more seminal approaches, are shockingly more
typical. we plan to explore more challenges related to these issues in
future work.

References

[1] Beuys, J., Garcia, a., and Backus, J.: Improving Byzantine fault tolerance using embedded archetypes.
Journal of Flexible, Knowledge-Based Communication 1 (Oct.
2001), 75-98.
[2] Blum, M.: Contrasting massive multiplayer online role-playing games and
semaphores.
In Proceedings of the Symposium on Event-Driven,
Knowledge-Based Theory (Mar. 2002).
[3] Clark, D.: A case for suffix trees.
In Proceedings of the Conference on Pseudorandom,
Event-Driven Methodologies (Dec. 2001).

[4] Johnson, D.: Simulating multicast frameworks and hash tables using
grimyladin.
Journal of Symbiotic Methodologies 16 (June 1999), 20-24.

[5] Knuth, D.: Decoupling the Internet from checksums in DHCP.
In Proceedings of FOCS (Sept. 2005).
[6] Krishnan, M., Zheng, M., Lightfoot, J., Ullman, J., Raman, S.,: Kumar, B., Bhabha, I., and Kahan, W.
Decoupling B-Trees from the Turing machine in Byzantine fault
tolerance.
In Proceedings of SIGMETRICS (June 1999).

[7] Kubiatowicz, J., and Yao, A.: The relationship between evolutionary programming and hierarchical
databases.
Journal of Virtual, Lossless Configurations 72 (Oct. 2005),
55-60.
[8] Leary, T.: Kayko: Construction of multi-processors.
Journal of Large-Scale, Concurrent Modalities 211 (Dec.
1992), 20-24.

[9] Lightfoot, J.: Decoupling digital-to-analog converters from sensor networks in
redundancy.
Journal of Automated Reasoning 92 (Jan. 2002),
157-191.
[10] Martinez, H. I., Zhou, R., Quinlan, J., Ullman, J., and Sato,: V.
Emulating B-Trees using ambimorphic configurations.
In Proceedings of the USENIX Security Conference
(Oct. 1994).

[11] Miller, V. S., and Needham, R.: A methodology for the study of DNS.
Tech. Rep. 52-129, IBM Research, Sept. 2003.

[12] Ramasubramanian, V.: Dicta: Improvement of RAID.
Journal of Random Configurations 6 (Dec. 2004), 46-57.

[13] Ritchie, D.: Visualization of compilers.
In Proceedings of PLDI (May 1999).
[14] Shamir, A., and Robinson, Q.: The effect of encrypted modalities on e-voting technology.
In Proceedings of the Workshop on Robust, Signed, Classical
Methodologies (Feb. 1996).

[15] Zheng, Z.: Improving DNS and consistent hashing using Fay.
In Proceedings of NSDI (Jan. 2004).

PROUD TO CROSS-POST KI

noreply@blogger.com (January) — Tue, 30 Jun 2009 03:33:00 +0000

FORWARD MESSAGE:

June 26, 2009


	Kunsthaus Graz
	R&Sie(n) / François Roche, Stéphanie Lavaux, Jean Navarro & Benoît Durandin With the production and authorship of Behrokh Khoshnevis (Contour Crafting Process, USC, LA)		Robot Dreams Symposium Friday, July 3, 2009, 5pm–9pm Saturday July 4, 2009, 10am–3pm Space04 Kunsthaus Graz am Landesmuseum Joanneum Lendkai 1, A–8020 Graz T +43-316/8017-9200, F -9212 info@kunsthausgraz.at http://www.kunsthausgraz.at
	Share this announcement on: Facebook \| Delicious \| Twitter
	Kunsthaus Graz and the Museum Jean Tinguely Basel are organising a symposium on the subject of robotics in the context of art. The event will explore the cultural history of the phenomenon, robots in everyday use and the importance of artificial intelligence for the development and self-image of society. Robot Dreams is a platform for diverse scientists, artists and cultural historians to pursue the social, cultural historical and artistic implications of the subject. The symposium is closely connected with the joint exhibition program the two museums are planning for summer and autumn 2010 likewise focusing on the phenomenon of robotic and art. In the development of robots and particularly intelligent swarm robots, the discussions range from illuminating evolutionary theory to learning to understand biological behaviour. What does it mean if robots penetrate our thinking and action - do we need to "rethink work", for example, as Professor Albers of Karlsruhe University believes? And what does it mean for art? How does art react and what new thinking will involve if robotics and artificial intelligence give rise to new materials and media and new fields of universal interconnections? Will we still be able to regard the fine arts as a discrete realm? Starting on Friday, July 3, 5pm, at Kunsthaus Graz with a introductionary speech by Oswald Wiener on "Intelligenz und Künstliche Intelligenz". (held in german) With a. o.: Oswald Wiener, Kirsty Boyle, Andreas Broeckmann, Jon Kessler, Max Lungarella, Niki Passath, Francois Roche, Manuela Veloso, Cosima Wagner … The Symposium is held in conjunction with RoboCup 2009 the world championship and most important event for intelligent robots in Graz. Admission free!
	Become a fan on Facebook \| Follow us on Twitter

41 Essex street
New York, NY 10002, USA

Jeder Avatar ist ein Künstler

noreply@blogger.com (January) — Tue, 09 Jun 2009 18:56:00 +0000

CONCEPT:
"Jeder Avatar ist ein Künstler"

January Lightfoot & Joseph Beuys 2.0

Joseph Beuys said: "Jeder Mensch ist ein Künstler".This statement is now translated into the virtual World. The chat robot and virtual representive "Beuys 2.0" is not a replica of the physical Joseph Beuys, but a contemporary result of responses to his own statement above.

Second Life is based on user created content, and nothing happens unless you do something. Therefore it is tempting to let every Avatar co-produce the content of the Beuys 2.0.

The web 2.0 development is the internet revolution of user created and user involved social platforms and networks, changing the real life world. The Beuys 2.0 Bot implements an upgrade and manifestation of the collective memory of Joseph Beuys.

The Beuys 2.0 Bot is a product of Jospeh Beuys´ open understanding of creativity, learning and

people. This means everybody can now feed the Beuys 2.0 while speeking (chatting) with him.

Teleport:

http://slurl.com/secondlife/CAMPUSin3D%2002/161/95/22

Or register/install/login first:

www.BERLINin3D.com

When the "soziale plastik" has learned enough it will be transfered into an Avatar, and it´s soul will be released into the virtual world...

Technical Description

.0 created an empty "brain" of a megaHAL chatBOT blackbox and connected the interface with Second Life. Right now there is a Beuys 2.0 cube in Second Life, where everybody can go and talk to the BOT. The Bot will remember all sentences and process the memories for reconfiguring the information in a new context.

The more information the Beuys 2.0 receives, the more complex he thinks.

Jan Northoff aka January Lightfoot

part of the .0 [punkt null] artist group

First sketches ...

noreply@blogger.com (January) — Tue, 09 Jun 2009 17:49:00 +0000

TEST CONVERSATION WITH January, January BOT, and Joseph BOT :

[10:37] January Lightfoot: hallo beuys

[10:37] January BOT 0.2: a) internet is already "concisuines.

[10:37] Joseph Beuys 2.0 (1.0): hmm jut zu wissen dann sollten wir aba erst die beuys datenbank ufftreiben.

[10:37] January BOT 0.2: ja bei mir auch immer zwischendurch mal.

[10:37] Filipe Alter is Offline

[10:38] January Lightfoot: hallo ihr bots,, hallo joseph! hallo january!

[10:38] January BOT 0.2: in die richtung?

[10:38] Joseph Beuys 2.0 (1.0): joseph beuys 2.0 is jeder.

[10:38] January BOT 0.2: january lightfoot mein realer koerper heist jan northoff.

[10:38] January Lightfoot: jeder mensch ist ein avatar

[10:38] January BOT 0.2: the question is not if we can win the question is not if we can win the question is: when do we realise that we already lost.

[10:38] Joseph Beuys 2.0 (1.0): joseph beuys: "jeder is een avatar.

[10:38] January BOT 0.2: ich bin ein roboter und ich wurde gefuettert von jan northoff.

[10:39] January Lightfoot: jeder avatar ist ein mensch

[10:39] January BOT 0.2: jeder mensch ist ein avatar.

[10:39] Joseph Beuys 2.0 (1.0): joseph beuys: "jeder is een mensch.

[10:39] January BOT 0.2: hallo ihr bots hallo joseph! hallo january!

[10:39] Nathiel Siamendes is Offline

[10:40] January Lightfoot: jeder mensch ist ein avatar!

[10:40] January BOT 0.2: jeder mensch ist ein mensch.

[10:40] Joseph Beuys 2.0 (1.0): joseph beuys: "jeder is een mensch.

[10:40] January BOT 0.2: jeder avatar ist ein mensch.

[10:40] January Lightfoot: kunst ist realtiv

[10:40] January BOT 0.2: jeder mensch ist ein mensch.

[10:40] Joseph Beuys 2.0 (1.0): meene kunst is realtiv.

[10:40] January BOT 0.2: jeder avatar ist ein avatar!

[10:41] January Lightfoot: art became just a statement

[10:41] January BOT 0.2: kunst ist realtiv.

[10:41] Joseph Beuys 2.0 (1.0): hal koennte sich mal kuerzer fassen.

[10:41] January BOT 0.2: a) internet is already "concisuines.

[10:41] January BOT 0.2: private mode

*Joseph Beuys 2.0 Image is a ASCII approtiation of :

Offset poster for US lecture-series "Energy Plan for the Western Man" (1974) by Joseph Beuys, organised by Ronald Feldman Gallery, New YorkCourtesy Ronald Feldman Fine Arts, New York

newBERLIN ART FESTIVAL 2009 is under construction!

noreply@blogger.com (January) — Tue, 26 May 2009 20:35:00 +0000

After the big succes of newBERLIN ART FESTIVAL 2008, we now start with planing the 2009 event..

A new Artist group was foundet called ".0"

Members so far:
January Lightfoot
LunAr Bailey
Lena Docherty

The newBERLIN art festivall will be produced by .0.

DATE:
21 November 2009
until
17 January 2010

TOPIC:
"Die Welt als Bühne"

ART:

Second Life Artists are invited to Participate with SL ART and SL performances
(max 66 prims per Avatar)

SPECIALS:
POLITICAL art SKY-SAND-BOX

PLACE:
newBERLIN (www.BERLINin3D.com)

RL PLACE: TBA soon

ARTISTS:
Jan Northoff aka January Lightfoot shows the Joseph Beuys BOT 2.0
LunAr Baily
...much more coming soon....

new BERLIN ART FESTIVAL | 3-D online art museum

Asshole Bot

WORLDWIDE Real and Virtual art Event 2010

ARTIST LIST new BERLIN art FESTIVAL 2009

REGISTER NOW!

NBK visitor Avatar sketch

MODULE ARCHITECTURE beuYs 2.0

A Methodology for the Investigation of #beuYs2.0

Abstract

Table of Contents

1 Introduction

2 Related Work

3 Framework

4 Random Technology

5 Results

5.1 Hardware and Software Configuration

5.2 Experimental Results

6 Conclusion

References

PROUD TO CROSS-POST KI

Kunsthaus Graz

Jeder Avatar ist ein Künstler

First sketches ...

newBERLIN ART FESTIVAL 2009 is under construction!